MAY 4TH

HAPPY BIRTHDAY SHELTON BROOKS!!


BIRTHDAYS

1886
Shelton Brooks
piano/composer
b. Amherstburg, Ontario, Canada
d. Sept. 6, 1975.

In the 1930s, Shelton had a radio show on CBS, and before that, he had sung, played piano, and performed on the Vaudeville and musical comedy stages, - all in addition to his songwriting career.


Among the songs that he composed are "At the Darktown Strutters' Ball", "There'll Come A Time", "Some of These Days" (Sophie Tucker's signature song), "All Night Long", "Walkin' The Dog", "Every Day","Somewhere in France", "Swing That Thing", "That Man of Mine".

Shelton Brooks was raised in Detroit and began his career as a ragtime piano player, initially entertaining the public in Detroit's cafes and nightclubs, then expanding his territory to include Chicago.

Brooks toured the United States of America, Canada, and the British Isles. His act was largely based upon a gift for mimicry; he apparently did such a convincing Bert Williams imitation that Williams himself is said to have remarked: "If I'm as funny as he is, I got nothin' to worry about." 

Shelton Brooks established himself as a songwriter in the following manner: he had been walking around captivated by a melody in a minor key that had been dancing around between his ears, but could not come up with any words to go with the tones he kept hearing. One day, seated at a restaurant, he found himself listening in on a heated disagreement between a black woman and her male companion. Sharply warning him not to abandon her, the lady spoke these words: "...some of these days, you're gonna miss me, honey."



Stunned, Brooks realized that her phrase matched his tune perfectly. The rest of the song then wrote itself through him. He went out and got it printed up, then took the score directly to Sophie Tucker, who, according to Noble Sissle and Eubie Blake, was often remarkably helpful to aspiring Afro-American composers. Tucker got right behind the song, in fact she was already performing it the very next day! 

Ultimately the tune became so closely associated with her that she made it into her theme song and even copped the title when she published her autobiography. 


"Some of These Days" was published in 1910 and eventually sold more than two million units on the sheet music market. It was also destined to become a jazz standard. 

Barry Singer, in his biography of lyricist Andy Razaf, claims that this number was “...
perhaps the landmark song of this Tin Pan Alley epoch, whereby Brooks, with sophisticated
lyric colloquialism and heartfelt passion, elevated the coon song into the realm of expressive
emotion." Brooks wrote “All Night Long" in 1912 and “Walkin' the Dog" in 1916. But it was
The Darktown Strutter's Ball" that constituted Brooks' next big hit. First circulated on the
vaudeville circuit, this rowdy syncopated novelty just happened to get utilized by the Original
Dixieland Jazz Band at their first recording session on January 30th, 1917.

This first nominal jazz record sold like hotcakes, and the sheet music sales exceeded three million. Brooks wrote a song called “Jean" in 1919, which was popularized by Isham Jones. Shelton Brooks also composed “There'll Come A Time", “Honey Gal, You Aint Talkin' To Me", and “If I Were A Bee And You Were A Red, Red Rose." It was as a performer on stage, in movies and on the radio that Brooks continued to circulate after he stopped composing great melodies. He appeared in the cast of Lew Leslie's Plantation Revue, which opened at the 48th Street Theatre on Broadway in 1922. It was the first “all-colored" production to be scored entirely by white men (J. Russell Robinson and Roy Turk). The star of this show was Florence Mills.

More from Barry Singer: “In July 1923 the Jack Mills Publishing Company...confirmed that in addition to having recently acquired the publishing rights for at least 60 ‘blues' numbers, it also had now signed to exclusive contracts a very impressive stable of black songwriters, including...Shelton Brooks." There was a progressive aspect to this entire policy; they intended to encourage younger black songwriters by organizing a well-defined business environment for.

What Singer describes as “this activism" actually caused other white publishing houses to compete in order to secure contracts with black songwriters. The effect was ultimately quite positive. Phonograph records do exist of Shelton Brooks performing as a vaudeville comedian. He seems to have recorded exclusively for the Okeh label. Titles include “Darktown Court Room", “Chicken Thieves", “You Got To Go", “That's Enough" and “Work Don't Bother Me". Shelton Brooks passed away in Los Angeles, California, September 6, 1975.
Biography
~by arwulf arwulf
1911
Leo DeJan, Trumpet
b. New Orleans, LA, USA.


1902
Al Dexter
C&W violin/guitar/singer/songwriter
b. May 4, Jacksonville, Texas, USA.
d. Jan. 28, 1984, Lewisville, Texas, USA (Coronary).
né: Clarence Albert Poindexter. Some of his best known compositions are "Pistol Packin' Mama" (1942), "Rosalita" and "Honky Tonk Blues"- co-composed with James B. Paris.


1899
Cloet Hammons
(Western Swing) guitar
Perhaps best known for working with the
"East Texas Serenaders".
1916
Moe Purtill, Drums
b. Huntington, NY, USA.
d. March 9, 1994, USA. 
Biography
~by Scott Yanow 

Best-known as Glenn Miller's drummer, Moe Purtill was a solid accompanist, although he tended to be a bit bombastic during his solo features with Miller. He started off freelancing in New York before having a stint with Red Norvo and Mildred Bailey from 1936-37. Purtill was in Miller's first unsuccessful orchestra (1937), played with Tommy Dorsey (1938-39) and then was with Miller during his civilian band's glory years (1939-42), appearing on virtually all of Miller's hit records. He played with Kay Kyser (1943-44), served in the Navy and played briefly with Tex Beneke after the war, but mostly worked in the studios, sometimes participating in the various Miller reunion projects. Purtill, who played relatively little jazz in the 1950s and '60s, never led a recording date of his own.

Notable Events Occurring 
On This Date Include: 

1945.
Stan Kenton Orch. recorded "Tampico"
with June Christy singing. (Capitol 202).


1995.
Van Zula Carter Hunt, vocals
died in Memphis, TN, USA.
Age: 93.

Songs Recorded/Released
On This Date Include:


1923


Isham Jones Orch. - "Who's Sorry Now"

Isham Jones Orch. - Swingin' Down The Lane
Sara Martin- Yodeling Blues



The California Ramblers - Yes! We Have No Bananas


1925


Lanin's Red Heads - Flag That Train (To Alabam')

Lanin's Red Heads - I Wouldn't Be Where I Am If You Hadn't Gone Away


1926


Bessie Smith - Baby Doll

1927


Johnny Hamp's Kentucky Serenaders


Jules Herbuveaux' Palmer House Victorians - Where The Wild, Wild Flowers Grow - (Vocal Chorus by Frank Sylvano)
Joe Venuti and Eddie Lang - Doin' Things

Joe Venuti and Eddie Lang - Going Places


1928


Winegar's Pennsylvania Boys - Ida! Sweet As Apple Cider
Irving Aaronson and his Commanders
Evening Star (Help Me Find My Man)


1929


Gregor and his Boys
  • Sweet Sue
  • Gregorology

Paul Whiteman and his OrchestraOh! Miss Hannah
  • Orange Blossom Time

1930


Louis Armstrong and his OrchestraDinah

1931





1932



Roger Wolfe Kahn and his Orchestra - Lazy Day
  • My Silent Love
  • There I Go Dreaming Again

1934


Adrian's Ramblers - I Wish I Were Twins
Vocal Chorus by Chick Bullock

Bennie Krueger and his Orchestra

LYRICS:



Darktown Strutters Ball

~Music by Shelton Brooks

Better be ready 'bout half past eight
I mean don't be late
Be there when the band starts playin'

Remember when you get there honey
Dance all over the floor
Dance all over my shoes
When the band plays the Jelly Roll blues
Set 'em all alight
At the darktown strutters ball

I'll be down to get you in a push cart honey
Better be ready 'bout half past eight
I mean don't be late
Be there when the band starts playin'

'Member when you get there honey
Shim sham wins them all
Dance all over my shoes
When the band plays the Jelly Roll's blues
Set 'em all alight
At the darktown strutters ball

copyright 1917 Leo Feist, Inc.


Music and Words by Shelton Brooks

Some of these days
You'll miss your honey
Some of these days
You'll feel so lonely
You'll miss my hugging
You'll miss my kisses
You'll miss me, honey
When you go away
I feel so lonely
Just for you only
For you know, honey
You've had your way
And when you leave me
I know you'll grieve me
You'll miss your little honey
Some of these days


Ida, Sweet as Apple Cider

In the region where the roses always bloom,
Breathing out upon the air their sweet perfume,
Lives a dusky maid I long to call my own,
For, I know my love for her will never die,
When the sun am sinking in dat Golden West,
Little robin red breast gone to seek their nests,
And I sneak down to dat place I love the best,
Ever'y evening there along I sigh.
Ida! Sweet as apple cider,
Sweeter than all I know,
Come out! In the silv'ry moonlight,
Of love we'll whisper, so soft and low!
Seems as tho' can't live without you,
Listen, please, honey do!
Ida! I idolize yer
I love you, Ida, 'deed I do.

Songwriters: Bix Beiderbecke

TubaGirlFin
brought to you by... 
~confetta
Special Thanks To: 
The Red Hot Jazz Archives, 
The Big Band Database
Scott Yanow,
and all those who have provided 
content,images and sound files for this site.

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