Click to view full size image
"Big Bill" Broonzy
Blues vocals
b. Scott, MS, USA
d. Aug. 15, 1958
né: William Lee Conley Broonzy.
~by Steve James
In terms of his musical skill, the sheer size of his repertoire, the length and variety of his career and his influence on contemporaries and musicians who would follow, Big Bill Broonzy is among a select few of the most important figures in recorded blues history. Among his hundreds of titles are standards like "All by Myself" and "Key to the Highway." In this country he was instrumental in the growth of the Chicago Blues sound, and his travels abroad rank him as one of the leading blues ambassadors.
Literally born on the banks of the Mississippi, he was one of a family of 17 who learned to fiddle on a homemade instrument. Taught by his uncle, he was performing by age ten at social functions and in church. 
After brief stints on the pulpit and in the Army, he moved to Chicago where he switched his attention from violin to guitar, playing with elders like Papa Charlie Jackson. Broonzy began his recording career with Paramount in 1927. In the early '30s he waxed some brilliant blues and hokum and worked Chicago and the road with great players like pianist Black Bob, guitarist Will Weldon and Memphis Minnie.
During the Depression years Big Bill Broonzy continued full steam ahead, doing some acrobatic label-hopping (Paramount to Bluebird to Columbia to Okeh!). In addition to solo efforts, he contributed his muscular guitar licks to recordings by Bumble Bee Slim, John Lee (Sonny Boy) Williamson and others who were forging a powerful new Chicago sound.
In 1938, Broonzy was at Carnegie Hall (ostensibly filling in for the fallen Robert Johnson) for John Hammond's revolutionary Sprirtuals to Swing Series. The following year he appeared with Benny Goodman and Louis Armstrong in George Seldes's film production Swingin' the Dream. After his initial brush with the East Coast cognoscenti, however, Broonzy spent a good part of the early '40s barnstorming the South with Lil Green's road show or kicking back in Chicago with Memphis Slim.
He continued alternating stints in Chicago and New York with coast-to-coast road work until 1951 when live performances and recording dates overseas earned him considerable notoriety in Europe and led to worldwide touring. Back in the States he recorded for Chess, Columbia and Folkways, working with a spectrum of artists from Blind John Davis to Pete Seeger. In 1955, Big Bill Blues, his life as told to Danish writer Yannick Bruynoghe, was published.
In 1957, after one more British tour, the pace began to catch up with Broonzy. He spent the last year of his life in and out of hospitals and succumbed to cancer in 1958. He survives though; not only in his music, but in the remembrances of people who knew him...from Muddy Waters to Studs Terkel.

A gentle giant they say...tough enough to survive the blues world...but not so tough he wouldn't give a struggling young musician the shirt off his back. His music, of course, is absolutely basic to the blues experience, and was celebrated in 1999 with the release of the three-disc retrospective

Teddy Grace, Vocal
b. Arcadia, LA, USA.
d. 1992.
by Scott Yanow
A superior singer whose career was tragically cut short, most of Teddy Grace's recordings have been reissued on a Timeless CD. She became a professional singer in 1931; sang on the radio in the South; worked for Al Katz (1933), Tommy Christian (1934), and Mal Hallett (on and off during 1934-1937); and recorded for Decca during 1937-1940, using such sidemen as Bobby Hackett, Jack Teagarden, Charlie Shavers, Buster Bailey, Pee Wee Russell, and Bud Freeman.
Grace became disenchanted with the music business and quit in 1940. She joined the WACs duringWorld War II and after straining herself singing during a busy schedule of bond rallies and shows, she lost her voice. Although Teddy Grace's speaking voice eventually came back in a weakened form, she was unable to sing again and spent the rest of her life outside of music.


"Saint Louis Jimmy" Oden, Blues composer
b. Nashville, TN, USA.
d. Dec. 30, 1977.
Circa 1917, he moved to St. Louis and fell in with pianist Roosevelt Sykes on the 1920s Gateway City blues circuit. The two men have remained frequent musical partners through the ensuing decades. He was frequently recorded in the 1940s and 1950s. Oden also composed "Soon Forgotten" and "Take the Bitter with the Sweet" for Muddy Waters, however, without a doubt, his biggest composition (and recording) was "Goin' Down Slow".
~Biography by Bill Dahl
Few blues songs have stood the test of Father Time as enduringly as "Goin' Down Slow." Its composer, St. Louis Jimmy Oden, endured rather impressively himself -- he recorded during the early '30s and was still at it more than three decades later. 

26700105.jpgIf not for a fortuitous move to St. Louis circa 1917, James Oden might have been known as Nashville Jimmy. He fell in with pianist Roosevelt Sykes on the 1920s Gateway City blues circuit (the two remained frequent musical partners through the ensuing decades). Oden enjoyed a fairly prolific recording career during the 1930s and '40s, appearing on Champion, Bluebird (where he hit with "Goin' Down Slow" in 1941), Columbia, Bullet in 1947, Miracle, Aristocrat (there he cut "Florida Hurricane" in 1948 accompanied by pianist Sunnyland Slim and a young guitarist named Muddy Waters), Mercury, Savoy, and Apollo. 

Scattered singles for Duke (with Sykes on piano) and Parrot (a 1955 remake of "Goin' Down Slow") set the stage for Oden's 1960 album debut for Prestige's Bluesville subsidiary (naturally, it included yet another reprise of "Goin' Down Slow"). Oden was backed by guitarist Jimmie Lee Robinson and a swinging New York rhythm section. As much a composer as a performer, Oden wrote "Soon Forgotten" and "Take the Bitter with the Sweet" for Muddy Waters.

Clarence Profit
b. New York, NY, USA.
d. Oct. 22, 1944, New York, NY, USA.Biography 
~by Scott Yanow
A very talented swing pianist, Clarence Profit passed away just before the bop era officially began so one does not know for sure how he would have adjusted his style during the next few years. Profit began playing piano very early, at the age of three, and as a teenager he was playing professionally with a variety of local groups including his own band. He first recorded with the Washboard Serenaders during 1930-31 and then spent time leading bands in Antigua (in the West Indies) and Bermuda for a few years. After returning to New York in 1936, he formed his own trio, playing regularly in New York area clubs. During 1939-40 Profit recorded with his regular group (featuring either Billy Moore or Jimmy Shirley on guitar and bassist Ben Brown), displaying an advanced swing style and a bit of stride. The co-composer (with Edgar Sampson) of "Lullaby In Rhythm," Clarence Profit's premature death has led to him being somewhat obscure in jazz history books although he was rated quite high during his lifetime.
Clarence Profit - Wikipedia

Maurice Rocco, piano/vocal
d. March 25, 1976, Bangkok, Thailand.
né Maurice Rockhold.
He briefly performed with Duke Ellington's orchestra before adopting the stage name Maurice Rocco. A fine pianist. Most folks will recall his act which had him playing the piano while standing up.

Notable Events Occurring 
On This Date Include:

James Weldon Johnson
Boogie Woogie pianist and songwriter
died in Wiscasset, ME, USA.
Vocalist Ruby Elzy
died in Detroit, MI, USA.
Trumpeter Clifford Brown
died in Bedford, PA.
Age: 25 (auto accident).

Trumpeter Ziggy Elman
died in Van Nuys, CA, USA.
Age: 54

Frank Holzfeind
owner: Blue Note Club
died in Chicago, IL, USA. 
Age: 75

Songs Recorded/Released 
On This Date Include:


Tennessee Ten

Albert Wynn and his Gut Bucket Five
Lillie Delk Christian with
Louis Armstrong's Jazz Four
Roger Wolfe Kahn and his Orchestra
Jean Goldkette and his Orchestra

Prince Albert Hunt's Texas Ramblers

Floyd Mills and his Marylanders
Victoria Spivey
Last Night I Dreamed You Kissed Me
~Songwriters: GusKagn/
Carmen Lombardo

Last night I dreamed of you
Of your dear smile and eyes all blue
If only my dreams come true
I'll be so glad my whole life through
Last night I was dreaming
I dreamed that that you kissed me
While bright stars were beaming
I dreamed that you kissed me
When I awoke with the break of dawn
Oh, I longed to go dreaming o
You had gone far while I was dreaming
I dreamed that you kissed me
And I awoke with the break of dawn
Oh, I longed to go dreaming on
You had gone far while I was dreaming
I dreamed that you kissed me

TubaGirlFin brought to you by...   ~confetta
Special Thanks To:
Scott Yanow, And all who have provided content for this site.